I'M SO ANGRY after watching 60 minutes, this is why I'm upset when journalists, "fans", and "celebrity podcasters" (ugh) ask about Titanic when Kate Winslet is there to promote Lee. At the Josh Horowitz / Joshua Horowitz interview in New York on September 23, 2024 that I flew there from Canada to be at, I hated that a lot of the discussion was NOT about Lee, but about other things like Titanic. Which I understand, but then Kate is there to promote Lee & Lee Miller. I admit I was so upset when my very-well-thought-out question about Lee after already having seen it 4 times at TIFF (and 5th time that night), wasn't chosen. It seems like audience questions were randomly chosen (WTF?). My question was so specific about the movie and would have been sooo uplifting. But they ended up just asking random audience questions. Anyhow, here's a screenshot of tonight's transcript:
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I'm back from my New York trip to see Kate Winslet promote Lee. Read all about it here on my Instagram. Includes reading the full book "The Lives of Lee Miller" by Antony Penrose (Lee's son) upon my return to Calgary, & then later also buying "Lee Miller: Photographs" because I genuinely love old photographs especially from older decades: https://www.instagram.com/p/DAfJctDJwYN/
Also, a friend (and fellow supporter) found the table that initiated the Lee movie, it's in the background of an interview Kate did many years ago, at her house. This person also found the original table listed in the auction site.
Just posted some never-shared-videos of Antony Penrose, Kate Solomon, & Ellen Kuras from Toronto TIFF 2023, where they talk about the work that went towards Lee, including the recreation of the iconic Hitler bathtub photo: https://www.instagram.com/p/C_HgzrrJ6S1/
As release of Lee approaches, here's a YouTube video from TIFF 2023 where I asked Antony Penrose, Kate Solomon, & Ellen Kuras a (long-winded) question about still having to seek truth even today:
CLICK HERE TO WATCH LEE Q&A FROM TIFF 2023 My question is at 13:14.
A new trailer for LEE was released today (August 14, 2024). A bit triggering for me as it's reminding me of all the scenes throughout the movie. Excited to see it a 5th time when it comes out officially in September.
HAPPY that the movie LEE will finally get shown in the U.S. and other countries. It got a distributor: Roadside Attractions and Vertical. It comes out in the U.S. on September 27, 2024. It will be shown in U.K. cinemas starting September 13, 2024.
Here's a link to the Film Talk with Kate Winslet and Kate Solomon after Lee was shown at the Munich Film Festival: https://youtu.be/UckGqqvO07U?si=OT5a3hlCL4QNpr5Q Great information and talk from both Kates. The part about Dachau.... whoa. I visited Dachau earlier this year specifically because it's such a huge part of this film. What also got to me was Kate talking about speaking to the "supporting actors" (background actors) who had to re-create the camp conditions. I always look out for actors who do this, who acknowledge even the background, because most actors with speaking lines don't.
(small update December 2023: I may have to reconsider my support of the movie Lee. I've tried to be honest about my love for the movie and the story of its creation, but haven't received any validation from those involved, such as Rocket Science (the helper of the distributions), and other related parties and "houses"). I'm still the only user review of Lee on IMDb: https://www.imdb.com/review/rw9320283/?ref_=tturv_perm_8
I saw LEE 4 times at TIFF (only thanks to some amazing Kate Winslet and movie lover fans who managed to get me tickets):
LEE (Kate Winslet in leading role) accomplishes its vision: To tell the truth of Lee Miller, and thus tell the truth of the life, pain, joy, & death, embedded in her photographs. The way the audience gets to see everything through Kate Winslet’s eyes as she uses every single eye movement, mouth/lip wrinkle, breath, more. Love that #LEE doesn’t have to show the already-known shocking scenes, but WE CAN SEE THEM just by looking at them through Kate’s gaze. This makes the film so powerful. Lee is not about the war. It’s about a beautiful woman who is also intelligent, genuine, and daring (thus Kate is perfectly cast as Lee Miller). The IMMEASURABLE challenges she faced to seek the truth, then tell the truth by recording these images.
The well-known bathtub scene is magical. The careful anticipatory build-up to one of the most iconic images is worth the price alone. The film manages to include some conviviality, as if giving the audience a needed brief respite during this historical moment. Brilliant.
The effectiveness of 2 door slams. There is also some funny “drunk acting” that brings some levity to some of the most horrific circumstances from WWII.
I’ve seen this film 4 times at TIFF (Toronto International Film Festival): 2 public screenings and 2 press & industry screenings, from 4 different spots in the theatre, on purpose. Discovered new important details & distinctions each time.
#KateWinslet #LeeMiller #LEE #LeeMillerArchives
I LOVE that we get to see some of the most important and shocking images just by how Kate expresses everything through her eyes and face, i.e. Kate's gaze lets us see what Lee Miller sees, and it's so clear.
Older/first review:
Review of #LEE starring Kate Winslet about WWII photojournalist Lee Miller. Women are either too old, too young, but never perfect. This is not a promotion, not sponsored, not an ad. It’s my honest review of the film which had its world premiere at TIFF tonight (Sept. 9) in Toronto. As a working actress, I fully support the SAG-AFTRA strike. This review is meant to be honest, but NOT elegant, polished, or promotional. Just the brutal real truth, like the movie itself. “Only a woman could have taken these photos.” I was captivated by every scene. I love movies even more than I thought I did. The parallels between the struggles & roadblocks Lee Miller had as a woman, and the struggles the female filmmakers had to fund, make, & distribute this film, are agonizingly similar (though Ellen Kuras said tonight that Lee’s struggles were way more paramount). And then the parallels between the magazine not wanting to publish Lee’s images because “the images will disturb people” to how some people today want to change/erase history in order to not tell the truth. Thank you Antony Penrose for telling the truth about your mom.
Without giving any plot away: LEE lets us see and live the WWII experiences that Lee and her photographer partner David Scherman had, as they encountered the scenes, no matter how brutal, real, and sometimes intimate. As Antony later said tonight, without sensationalizing anything, we as the audience get to see, hear, & (yes) smell what they did. And I agree, though knowing the truth behind the images we see was disturbing (as it should be), nothing felt sensationalized or unneeded. The film jumps back and forth between important moments of time, telling the story in an easy to understand manner (I say this because sometimes I have to google a movie after seeing it to understand the story, ugh). Without giving anything away, we get to learn the truth about Lee, even if some truths are hard. I love acting as much as I love movies. Not surprising that Kate met every one of my extremely high expectations. As a Canadian growing up having to learn French in school, Kate speaks French fluently to my trained ear. I was also surprisingly delighted by Andrea Riseborough who plays British Vogue’s Audrey Withers. Not going to mention the name of my uncle Oscar who “supported” me in becoming a non-elegant movie reviewer.
As a World War 2 aficionado myself, this is imo NOT a World War 2 movie. There are many wonderful such movies & documentaries. It’s a movie about Lee Miller wanting desperately to share the truth through her photographs. I actually felt like I was in Hitler’s home when it goes silent as they walk on the Nazi symbol. I was fortunate to be able to ask the panel at the Q&A after. I remember Antony saying that Kate Winslet, like Lee Miller, is beautiful and also intelligent, genuine, and daring. And this was evident throughout the film. I hope everyone in the world gets to see this film. My understanding is that this film has still to acquire a U.S. distributor. Perhaps it signifies the continued roadblocks that female / women filmmakers, producers, and actresses have. Please let’s stop this. Let’s SUPPORT women in film whether in front of or behind the camera (no pun intended). As the movie states, women are either too old, or too young, but never just perfect, EVEN THOUGH THEY ARE!!!!! (5 exclamation marks just like in Kate Winslet’s email to Cameron Bailey, CEO of TIFF. Speaking of which, Cameron gets a star for condensing my question to a perfect 10 seconds). LEE stars Kate Winslet, Alexander Skarsgård, Andrea Riseborough, Marion Cotillard, Josh O'Connor, Andy Samberg & Noémie Merlant. To find out more about Lee, go to the Lee Miller Archives https://leemiller.co.uk #LeeMiller #KateWinslet #TIFF23
#TIFF2023
HIERARCHY SUCKS: I'm so thankful to the amazing nice volunteers (blue shirts) I've met so far. Most have been very helpful and nice. I chatted with one and asked if they get any other perks than just some kind of volunteer pass. They said no. I don't think this is right. All the highest paid TIFF executives get to mingle with and meet the celebrities, and I believe volunteers should get to meet at least 1 celebrity they admire, or put into a draw in order to win this. Because let's face it, only the rich or powerful people get invited to the celebrity after parties, and yet the people who do the most work and the genuine fans, don't. Absurd reality of life and of TIFF. Hierarchy sucks.
August 25, 2023: After some incredibly helpful Kate Winslet and TIFF movie fans helped me, I got a ticket to both public screenings of Lee. I'll still try to attend the press & industry screenings too, as I can try to access them via waiting in a rush line.
UPDATE AUGUST 24, 2023: Despite my TIFF membership access to pre-sales and me being online/ready 1 hour early, all Lee screenings sold out in 30 seconds. :( Meaning only way I'm going to see Lee is using my industry pass but on a rush basis only. Even Kate Winslet isn't worth all this stress! I want to say though that there are some fantastic most amazing people I've met in this journey of supporting Kate: These people are all over the world, including the mother that Kate helped with a donation for her and her special needs daughter, so I'm glad that these people were brought into my life. <3 So Juan, Carolynne, L.A. if you ever see this, thank you.
And I recorded a new podcast about the strike, TIFF, and how I will not be able to see Lee at TIFF:
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UPDATE JULY 2023: I'll be attending TIFF in person as an industry delegate as an actress and acting podcast host. (to anyone that knows me: Feel free to say hi to me if you see me!). UPDATE: I'll attend, but as an actor, won't be able to talk about or promote any SAG related work as I also support them #SAGAFTRAstrike #SAGAFTRAstrong. BUT HAPPY TO SAY that Lee is having its world premiere at TIFF !
But this also means I won't be doing any new podcast episodes of "what would kate do?" because I understand that past works also can't be promoted in any way.
Update March 12, 2023: Can't wait for the release of Lee (maybe in 2023 at the Venice Film Festival), the story of Lee Miller, American photographer and photojournalist. And Vogue World War II correspondent. Stars Kate Winslet, of course.
